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THREE KEY FACTS US President-elect Donald Trump’s proposed tariffs could affect goods from China including furniture. The US National Retail Federation report of tariffs predicts a demand reduction for Chinese manufactured products. Trump, citing frustration over drugs and illegal migrants, has announced plans to introduce 25% tariffs on goods entering the US from Canada and Mexico and to increase tariffs on China by 10%. Few can doubt Donald Trump ’s trade intentions once he takes office in January. In a recent social media post, the US President-elect promised: “On January 20th, as one of my many first Executive Orders, I will sign all necessary documents to charge Mexico and Canada a 25% Tariff on ALL products coming into the United States.” In a separate post he announced there would be a further 10% tariff on imports from China. Though New Zealand goods are exempt at this stage, we can expect indirect impacts from a variety of directions.

The Chicago Cubs will need to make big changes after underachieving in 2025. They could move on from some key players to make way for young stars in the organization. While listing Cubs players who would not be on the team at the end of Major League Baseball's Winter Meetings, FanSided's Zach Pressnell predicted that second baseman Nico Hoerner would be traded. "Hoerner takes the spot at second base, blocking the Cubs top prospect from coming to the big leagues. Matt Shaw is the Cubs top prospect and he's big-league-ready. Last season, Shaw slashed .284/.379/.488 split between Double-A and Triple-A. While in Triple-A for just under 40 games, Shaw slashed an incredible .298/.395/.534," wrote Pressnell. "It's hard to imagine that somebody with his raw talent and results will stick in the minor leagues for long. He's a huge piece of Chicago's future and there's not going to be any holding him back in the minor leagues." Hoerner is a Gold Glove Award winner, but offensively the Cubs need more. He had a .273 batting average, but his OPS was .708. He does not take many walks and does not really hit home runs. He had just seven last season. Meanwhile, Matt Shaw has been great offensively. Hoerner signed a three-year, $35 million extension with the Cubs before the 2023 season. He is a great defender and could fetch a decent return in a trade. Trading him would open the door for Shaw to start on Opening Day. The Scubs would not struggle to find a trade partner. Hoerner's defense and .335 OBP should make him a target for teams in need of a second baseman. More MLB: Cubs trade proposal ships 2-time All-Star to Yankees to replace Anthony RizzoNEW YORK — The brooding waltz was carefully composed on a sheet of music roughly the size of an index card. The brief, moody number also bore an intriguing name, written at the top in cursive: “Chopin.” A previously unknown work of music penned by the European master Frederic Chopin appears to have been found at the Morgan Library & Museum in Manhattan. The untitled and unsigned piece is on display this month at the opulently appointed institution, which had once been the private library of financier J.P. Morgan. A previously unknown musical manuscript, possibly by Frederic Chopin, is held in a display case after it was discovered at The Morgan Library & Museum on Nov. 13 in New York. Robinson McClellan, the museum curator who uncovered the manuscript, said it's the first new work associated with the Romantic era composer to be discovered in nearly a century. But McClellan concedes that it may never be known whether it is an original Chopin work or merely one written in his hand. The piece, set in the key of A minor, stands out for its “very stormy, brooding opening section” before transitioning to a melancholy melody more characteristic of Chopin, McClellan explained. “This is his style. This is his essence,” he said during a recent visit to the museum. “It really feels like him.” McClellan said he came across the work in May as he was going through a collection from the late Arthur Satz, a former president of the New York School of Interior Design. Satz acquired it from A. Sherrill Whiton Jr., an avid autograph collector who had been director of the school. McClellan then worked with experts to verify its authenticity. The paper was found to be consistent with what Chopin favored for manuscripts, and the ink matched a kind typical in the early 19th century when Chopin lived, according to the museum. But a handwriting analysis determined the name “Chopin” written at the top of the sheet was penned by someone else. Born in Poland, Chopin was considered a musical genius from an early age. He lived in Warsaw and Vienna before settling in Paris, where he died in 1849 at the age of 39, likely of tuberculosis. A previously unknown musical manuscript, possibly by Frederic Chopin, is seen in a display case after it was discovered at The Morgan Library & Museum, Nov. 13 in New York. He’s buried among a pantheon of artists at the city’s famed Père Lachaise Cemetery, but his heart, pickled in a jar of alcohol, is housed in a church in Warsaw, in keeping with his deathbed wish for the organ to return to his homeland. Artur Szklener, director of the Fryderyk Chopin Institute in Warsaw, the Polish capital city where the composer grew up, agreed that the document is consistent with the kinds of ink and paper Chopin used during his early years in Paris. Musically, the piece evokes the “brilliant style” that made Chopin a luminary in his time, but it also has features unusual for his compositions, Szklener said. “First of all, it is not a complete work, but rather a certain musical gesture, a theme laced with rather simple piano tricks alluding to a virtuoso style," Szklener explained in a lengthy statement released after the document was revealed last month. He and other experts conjecture the piece could have been a work in progress. It may have also been a copy of another's work, or even co-written with someone else, perhaps a student for a musical exercise. Jeffrey Kallberg, a University of Pennsylvania music professor and Chopin expert who helped authenticate the document, called the piece a “little gem” that Chopin likely intended as a gift for a friend or wealthy acquaintance. “Many of the pieces that he gave as gifts were short – kind of like ‘appetizers’ to a full-blown work,” Kallberg said in an email. “And we don’t know for sure whether he intended the piece to see the light of day because he often wrote out the same waltz more than once as a gift.” David Ludwig, dean of music at The Juilliard School, a performing arts conservatory in Manhattan, agreed the piece has many of the hallmarks of the composer’s style. “It has the Chopin character of something very lyrical and it has a little bit of darkness as well,” said Ludwig, who was not involved in authenticating the document. But Ludwig noted that, if it's authentic, the tightly composed score would be one of Chopin’s shortest known pieces. The waltz clocks in at under a minute long when played on piano, as many of Chopin’s works were intended. “In terms of the authenticity of it, in a way it doesn’t matter because it sparks our imaginations,” Ludwig said. “A discovery like this highlights the fact that classical music is very much a living art form.” The Chopin reveal comes after the Leipzig Municipal Libraries in Germany announced in September that it uncovered a previously unknown piece likely composed by a young Wolfgang Amadeus Mozart in its collections. Christmas music has a long and storied history beginning centuries ago with pagan rituals. Those traditions evolved with St. Francis of Assisi’s Nativity plays in the 13th century, and survived Puritan rule when many Christmas traditions and celebrations were banned during part of the 17th century. Traveling minstrels spread original songs before the invention of the printing press in 1440 ushered in an era of texts that served as the foundation for some of the most beloved Christmas songs. These tunes would be shared in the form of poetry and hymns printed on broadsides . Today, Christmas music runs the gamut from silly to revolutionary. Songs range from grandmothers getting trampled by reindeer to those based on the work of a Romantic-period poet. Who knew that the catchy tune of Wenceslas, the king with the funny name, is a reverent song about the patron saint of the Czech Republic? Or perhaps it would surprise readers to discover that “Silent Night” was designated as an item of Intangible Cultural Heritage by UNESCO. These songs we know by heart and hear so often have rich histories rooted in things like war, religion, social reform, and slavery. Stacker compiled a list of Christmas songs released before 1920 and explored the origins of these pieces. This list includes Christmas carols, famous instrumentals, popular hymns, and spirituals from countries around the world. Many of these songs were created out of a chance collaboration between artists spanning time and space; a clergyman pens a hymn, and years later, a composer resurrects those words and sets them to a melody. It may come as no surprise, then, that what people consider to be Christmas classics are among the most-covered Christmas songs of all time . “Silent Night,” for example, had 137,315 recordings according to a 2017 Billboard report. Read on to learn about the rich histories of some of the most beloved Christmas songs that are more than a century old. You may also like: 71 years of Emmy history Written by James Lord Pierpont in 1857 and originally titled “One Horse Open Sleigh,” “Jingle Bells” is one of the most beloved and ubiquitous Christmas carols in existence. In 1965, astronauts Wally Schirra and Thomas Stafford made “Jingle Bells,” the first song heard from space as they orbited Earth aboard the Gemini 6. It may be surprising that this Christmas classic was written as a Thanksgiving song. This traditional English Christmas carol refers to the practice of wassailing, the definition of which has evolved over the years . In the song, wassailing is the practice of traveling door-to-door, wishing good health, and asking for a bit of hospitality and Christmas tidings in return, including a drink from a communal bowl filled with mulled cider or ale called wassail. Other familiar variants of the song include “Here We Come A-Caroling,” and “Here We Come A Christmasing.” Published by hymn writer John Mason Neale in 1853, this carol was based on the life of the virtuous ruler Wenceslaus I, Duke of Bohemia . Wenceslaus I was revered for his piety, morality, and virtue. After his assassination, he was posthumously conferred as a king by Holy Roman Emperor Otto I, which is why people don’t sing of good Duke Wenceslaus. Wenceslaus was elevated to sainthood immediately after his death, and he's considered the patron saint of the Czech Republic. The version of “O Tannenbaum” most of us are familiar with today was written in 1824 by Ernst Anschütz, a well-known organist and composer from Leipzig, Germany. Anschütz’s version was one of many based on a 16th-century German folk song that pays homage to the steadfast nature of the "Tannenbaum," the German word for a fir tree. The song’s association with Christmas began with Anschütz even though no explicit mention of Christmas was made in his original lyrics. Furthermore, most Christmas trees are spruce, not fir. Readers may be more familiar with the song’s English title, “O Christmas Tree.” If you’ve ever wondered what “God rest you merry” means, you’re not alone. This carol’s title is often misinterpreted, mispunctuated, and widely debated. The phrase “rest you merry” is used in the same way we use “rest assured.” It is not an address to merry gentlemen but rather an imperative statement to all gentlemen to be happy, citing the birth of Christ. It’s even referenced in Charles Dickens' classic “A Christmas Carol.” The earliest known print edition of the carol dates back to 1760, but its author is unknown. You may also like: 30 celebrities you might not know are LGBTQ Originally titled “Three Kings of Orient,” this carol was written by journalist-turned-clergyman John Henry Hopkins in 1857 for a Christmas pageant and published six years later. The carol chronicles the Christian gospel of Matthew in which three biblical magi, commonly known as the three wise men, bring gifts of gold, frankincense, and myrrh to honor the birth of Jesus. Edmund Sears—a Unitarian pastor in Wayland, Mass.—wrote a five-stanza poem titled “It Came Upon the Midnight Clear” in 1849. It was adapted by American composer Richard Storrs Willis in 1850 and set to a melody called “Carol.” The words of this poem-turned-carol are regarded as an account of the issues at the time. Topics referred to in the song include the end of the Mexican-American war and a call for peace among men. Proudly rejoicing the nativity of Jesus, “Go Tell It on the Mountain” was an African-American spiritual dating back to 1865. John Wesley Work Jr. was a composer and ethnomusicologist who compiled hundreds of spirituals and even composed a few, including “Go Tell It on the Mountain,” in his work: “American Negro Songs and Spirituals; A Comprehensive Collection of 230 Folk Songs, Religious and Secular.” Written by William Chatterton Dix in 1865 and published in 1871, this carol explores what the shepherds present at the birth of Jesus must have been thinking when they encountered him. In gospel, hymns, and art, shepherds are central characters in the Nativity of Jesus. The song is set to the familiar melody of “Greensleeves,” a 16th-century English folk song. The exact origins of this popular carol are unknown, but it is most often credited to John Francis Wade. Originally written and printed in Latin as “Adeste Fideles,” it first appeared in Wade’s 1751 collection “Cantus Diversi.” You may also like: Exploring minority representation in the biggest box office winners ever What began in 1818 as a modest performance outside of St. Nicholas parish in Oberndorf, Austria, has become one of the most popular Christmas songs of all time. Translated into over 300 languages, “Stille Nacht” was written by a priest named Joseph Mohr and composed by Franz Xaver Gruber in 1818. The song became popular among traveling folk singers, and before long, it could be heard around the world. The English version we know today called “Silent Night” was not written until 1863. “Stille Nacht” was named an intangible cultural heritage by UNESCO in 2011 . “Carol of the Bells” is no doubt familiar to you, if not by name, then by melody. The carol was based on an Ukranian folk chant called "Shchedryk,” which was traditionally sung on New Year’s Eve as it spoke of good fortune for the upcoming year. American composer Peter J. Wilhousky adapted the lyrics "Shchedryk” into a Christmas song in 1919 using the original musical arrangement by Ukranian composer Mykola Leontovych. Many artists have covered the carol over the last century, and one of its more popular variants is “Christmas Eve/Sarajevo” by the Trans-Siberian Orchestra. “In the Bleak Midwinter” was based on a poem of the same name written by English poet Christina Georgina Rossetti in 1872. English composer Gustav Holst first set the poem to music in 1906. This particular carol was published by Cecil Sharp, a famous conservator of English folk tradition, in 1911. The song is packed with symbolism that dates back to pagan rituals. Holly, representing males, and ivy, representing females, used to be burned together during the pagan festival of Beltane to encourage a fruitful spring. In Christianity, holly is symbolic of the crown of thorns Jesus wore during his crucifixion. With this rich history, evergreens like holly and ivy are viewed as symbols of rebirth and renewal, which are common themes celebrated at Christmas time. This carol was based on the poem "Christmas Bells," written by Henry Wadsworth Longfellow on Christmas Day in 1863. With an injured wife and a son who joined the union army against his father’s wishes, Longfellow lamented hearing bells on Christmas Day during the American Civil War. The lyrics convey a sense of hopelessness when goodwill and peace on Earth seemed impossible. The poem was set to music in 1872 by English composer John Baptiste Calkin. You may also like: Mistakes from the 50 best movies of all time “O Holy Night” is based on a French poem titled "Minuit, Chrétiens," written by Placide Cappeau at the behest of a parish priest. Composer Adolphe Adam set the poem to music that same year, and it quickly gained popularity throughout France. When Cappeau denounced the Catholic Church to join the socialist movement, the church responded by denouncing his beloved carol. The song made a resurgence after it was translated into English and introduced in America by John Sullivan Dwight. After visiting Bethlehem in the Mutasarrifate of Jerusalem , Phillips Brooks was inspired to write about his experiences. Brooks, an Episcopal priest, shared the poem he had written with Lewis Redner, his church’s organist, and asked him to create a melody for it so they could perform it at an upcoming Sunday school service. In a single evening, Redner composed the tune that we know today. Reflecting on the success of the carol, Redner stated : “Neither Mr. Brooks nor I ever thought the carol or the music to it would live beyond that Christmas of 1868.” Mistakenly attributed, for many years, to Martin Luther—the seminal figure of Europe’s Protestant Reformation in the 16th century—and even titling early versions of this piece “Luther’s Cradle Song,” “Away in a Manger” is a relatively simple carol with unknown origins. The first record of the text being set to music with the title “Away in a Manger” is found in the 1885 publication “Little Children's Book for Schools and Families.” The carol we know as “Hark! The Herald Angels Sing” was originally titled "Hymn for Christmas-Day,” published in 1739 by Charles Wesley, leader of the Methodist movement and brother to John Wesley, the movement’s founder. But it was George Whitefield who adapted the text in 1753 to give us that familiar opener “Hark! The Herald Angels Sing.” The melody was composed by Felix Mendelssohn and later adapted by William H. Cummings in 1855 to create the song that's popular today. This numeric carol was originally published in England in 1780 in a children’s book called “Mirth Without Mischief.” It is believed to be a type of children's memory-and-forfeit game in which the singer must remember every verse or forfeit something if they make a mistake. You may also like: Best and worst Al Pacino movies Citing the gospel of Luke, this English carol is based on a French song called “Les Anges dans nos campagnes.” The lyrics were written by James Chadwick, a bishop in 1862. His words were set to the tune "Gloria," which was arranged by Edward Shippen Barnes. This Christmas ballad is believed to date back to the 15th century. Unlike many other carols that reference the gospels of Luke or Matthew, this story takes place sometime in between as Mary and Joseph journey to Bethlehem. It is one of the few depictions of Joseph struggling to accept Mary’s pregnancy, evidenced through lyrics such as “O then bespoke Joseph/ With words so unkind,/ Let him pluck thee a cherry/That brought thee with child.” The song was made popular again by Joan Baez’s rendition in 1961. The exact origins of this carol are unknown, but it is believed to be one of the oldest carols still sung today. Dating back to the 12th century, “The Friendly Beasts” is a traditional French carol about the animals present at the birth of Jesus and the gifts they bestowed on him. “Joy to the World” was originally written as a hymn by Isaac Watts. Watt’s adaptation of Psalm 98 interprets Christ as the king of the church and as the king of the world. “Joy to the World” is one of the most recorded Christmas songs of all time . Perhaps the darkest song on this list, “Coventry Carol,” depicts the biblical event “The Massacre of the Innocents” in which King Herod ordered the killing of all male babies under the age of two in Bethlehem. The song takes the form of a lullaby recited to the persecuted children. In Christianity, “The Massacre of the Innocents” is an important part of the broader Nativity story and thus a relevant story in the Christmas narrative. “Coventry Carol” was originally part of a medieval mystery play performed in England called “The Pageant of the Shearmen and Tailors.” You may also like: Best Grateful Dead albums of all time Receive the latest in local entertainment news in your inbox weekly!FGBI stock hits 52-week high at $13.38 amid robust growth

LAHORE: THAAP in collaboration with the Documentary Association of Pakistan and The Eqbal Ahmad Project organised the screening of acclaimed documentary film “All That Breathes.” The film’s screening followed by a thought-provoking panel discussion featuring eminent actress Nadia Jamil, Project Curator Siraj Ali, and leading social development professional Quratulain Bakhteari who participated via video link. This event brought together a diverse audience to explore critical themes of environmentalism and inter-species coexistence, as beautifully depicted in the film directed by Shaunak Sen. The short film was explored as part of The Eqbal Ahmad Year of Tribute 25 years on festival. “All That Breathes” has garnered prestigious accolades, including awards at the Sundance Film Festival, Cannes Film Festival, and the Peabody Awards, and was nominated for the Academy Award for Best Documentary Feature. The film chronicles the inspiring journey of two brothers, Nadeem and Daud, who dedicate their lives to rescuing the black kite, a vital species in the ecosystem of New Delhi. Their efforts underscore the urgent need for environmental stewardship in the face of escalating ecological challenges. Following the screening, the panel discussion allowed for an engaging dialogue among the esteemed speakers. Siraj Ali, Nadia Jamil, and Quratulain Bakhteari addressing key themes of the film, and their personal and political legacies of Eqbal Ahmad. The poignant discussion following the film and audience contributions resonated deeply with attendees. Prompting reflections on their roles in promoting the environment and social responsibility. The event was hosted by Prof. Pervaiz Vandal, who in addition to be a long term supporter of The Eqbal Ahmad Project, has sought to foster a sense of community among participants, encouraging them to engage actively in the pressing issues of our time Prior to the screening, a compelling video collage featuring insightful lectures by revolutionary thinker Eqbal Ahmad was showcased, setting the tone for the evening’s discussions. This event was organised by The Eqbal Ahmad Project as part of series of electronic and in person commmnity collaborations around the world this year to commemorate Eqbal Ahmad. The Eqbal Ahmad Project , which aims to honour the legacy of Ahmad a visionary whose insights into social justice and international solidarity continue to inspire change. Save my name, email, and website in this browser for the next time I comment. Δ document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() );What Donald Trump Has Said About Drones

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CHICAGO (AP) — Matt Duchene and Jamie Benn each had a goal and two assists, and the Dallas Stars beat the Chicago Blackhawks 5-1 on Sunday night. Jason Robertson, Evgenii Dadonov and Wyatt Johnston each had a goal and an assist for Dallas, which had lost three of four. Jake Oettinger made 24 saves. Chicago dropped its fourth consecutive game. It lost three of four in its season series against Dallas. Connor Bedard scored his 10th goal for the Blackhawks, and Arvid Soderblom made 26 stops. Next up for Bedard and company is the Winter Classic on Tuesday against St. Louis. Dallas grabbed control after Chicago forward Tyler Bertuzzi was ejected 8:11 into the second period. Bertuzzi was sent off for elbowing Stars forward Colin Blackwell in the face. Robertson made it 2-1 when he converted a wrist shot from the right circle at 8:23. It was Robertson's first goal since Dec. 14 and No. 8 on the season. Dadonov got a slick pass from Duchene and scored his 10th goal with 5:14 left in the second. Stars: Miro Heiskanen added two assists as the Stars used their superior depth to control much of the game. Blackhawks: Once again, not enough offensive opportunities. It has been a recurring problem for the Blackhawks for much of the season so far. Johnston's stick broke right before he scored his eighth goal 10 seconds into the third period. Duchene's pass went off Johnston and past Soderblom, giving the Stars a 3-1 lead. The Stars are 12-3-0 against the Blackhawks since the 2021-22 season. Dallas opens a three-game homestand on Tuesday night against Buffalo. Chicago plays St. Louis on Tuesday at Wrigley Field. AP NHL: https://apnews.com/hub/nhlThe power needs of artificial intelligence and cloud computing are growing so large that individual data center campuses could soon use more electricity than some cities, and even entire U.S. states, according to companies developing the facilities. The electricity consumption of data centers has exploded along with their increasingly critical role in the economy in the past 10 years, housing servers that power the applications businesses and consumers rely on for daily tasks. Now, with the advent of artificial intelligence, data centers are growing so large that finding enough power to drive them and enough suitable land to house them will become increasingly difficult, the developers say. The facilities could increasingly demand a gigawatt or more of power — one billion watts — or about twice the residential electricity consumption of the Pittsburgh area last year. Technology companies are in a "race of a lifetime to global dominance" in artificial intelligence, said Ali Fenn, president of Lancium, a company that secures land and power for data centers in Texas.... Spencer KimballDevelopers will have to show that their project either helps reduce the amount of non-recyclable waste going to landfill, or replaces an older, less efficient incinerator. The move forms part of the Government’s drive to increase recycling rates, which have held at about 45% of household waste since 2015. Environment minister Mary Creagh said: “For far too long, the nation has seen its recycling rates stagnate and relied on burning household waste, rather than supporting communities to keep resources in use for longer. “That ends today, with clear conditions for new energy from waste plants – they must be efficient and support net zero and our economic growth mission, before they can get the backing needed to be built.” Developers will also have to ensure their incinerators are ready for carbon capture technology, and demonstrate how the heat they produce can be used to help cut heating bills for households. The Government expects that its “crackdown” on new incinerators will mean only a limited number are built, while still reducing the amount of waste sent to landfill and enabling the country to process the waste it produces. The Department for the Environment, Food and Rural Affairs said the country was almost at the point where it had enough waste facilities to handle non-recyclable rubbish, and so had limited need for new incinerators. But the proposals stop short of the plans included in the Conservatives’ 2024 manifesto, which committed to a complete ban on new incinerators due to their “impact on local communities” and declining demand as recycling increased.