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Bad Bunny announces a new album, ‘Debí Tirar Más Fotos’ Happy holidays from Bad Bunny, who announced Thursday he will release a new album Jan. 5. “Debí Tirar Más Fotos,” which translates to “I should have taken more photos,” is his sixth studio album and follows in his tradition of releasing new music on unexpected dates. His debut album, 2018’s “X 100PRE,” arrived around Christmas and 2020’s “El Último Tour del Mundo” near Thanksgiving. The January release date is just before “Día de Reyes,” or Three Kings Day, and is a Sunday — unlike the industry’s standard Friday release date. The Puerto Rican musician announced the news on Instagram in a short video featuring filmmaker Jacobo Morales. He also released a new single, “PIToRRO DE COCO.” A day before, Bad Bunny teased a 17-track list on social media, with each song titled “BOMBA,” perhaps in reference to the Puerto Rican musical style and dance. “Debí Tirar Más Fotos” follows 2023’s “Nadie Sabe Lo Que Va a Pasar Mañana” (“Nobody Knows What Will Happen Tomorrow”), which was met with mixed reviews. On that album, Bad Bunny’s reggaeton offerings were limited, returning instead to the Latin trap of “X 100PRE” in songs like “MONACO” and “GRACIAS POR NADA.” The announcement caps a busy year for El Conejo Malo. Bad Bunny made headlines after he threw his support behind Vice President Kamala Harris shortly after a comedian at Donald Trump’s Madison Square Garden rally made crude jokes about Latinos and called Puerto Rico a “floating island of garbage.” He also canvassed North America on his “Most Wanted Tour,” which made The Associated Press’ list of the best concerts of the year. ‘Baby Driver’ actor Hudson Meek, 16, dies in a fall from a moving vehicle VESTAVIA HILLS, Ala. | Teenage actor Hudson Meek has died after he fell out of a moving vehicle in Alabama, authorities said. Meek, 16, was hurt on Dec. 19 while on a street in Vestavia Hills, a suburb of Birmingham. He died two days later, according to the Jefferson County Coroner’s Office. The Vestavia Hills Police Department, which is investigating Meek’s death, has not issued any public statements. Meek made his on-screen debut in 2014’s “The Santa Con,” and had roles in various TV series, including “MacGyver.” He was perhaps best known for his role in the 2017 film “Baby Driver,” in which he played a younger version of Ansel Elgort’s titular character. “His 16 years on this earth were far too short, but he accomplished so much and significantly impacted everyone he met,” a post on Meek’s Instagram page read. Meek played football at Vestavia Hills High School, enjoyed Bible study with his teammates and had traveled to all 50 states. He loved snow skiing, making music playlists for his friends and singing in the school choir, according to his obituary, His family plans a funeral and memorial service on Saturday that will be livestreamed on Meek’s Instagram account. Richard Perry, record producer behind ‘You’re So Vain’ and other hits, dies at 82 Richard Perry, a hitmaking record producer with a flair for both standards and contemporary sounds whose many successes included Carly Simon’s “You’re So Vain,” Rod Stewart’s “The Great American Songbook” series and a Ringo Starr album featuring all four Beatles, died Tuesday. He was 82. Perry, a recipient of a Grammys Trustee Award in 2015, died at a Los Angeles hospital after suffering cardiac arrest, friend Daphna Kastner said. “He maximized his time here,” said Kastner, who called him a “father friend” and said he was godfather to her son. “He was generous, fun, sweet and made the world a better place. The world is a little less sweeter without him here. But it’s a little bit sweeter in heaven.” Perry was a onetime drummer, oboist and doo-wop singer who proved at home with a wide variety of musical styles, the rare producer to have No. 1 hits on the pop, R&B, dance and country charts. He was on hand for Harry Nilsson’s “Without You” and The Pointer Sisters’ “I’m So Excited,” Tiny Tim’s novelty smash “Tiptoe Through the Tulips” and the Willie Nelson-Julio Iglesias lounge standard “To All the Girls I’ve Loved Before.” Perry was widely known as a “musician’s producer,” treating artists like peers rather than vehicles for his own tastes. Singers turned to him whether trying to update their sound (Barbra Streisand), set back the clock (Stewart), revive their career (Fats Domino) or fulfill early promise (Leo Sayer). “Richard had a knack for matching the right song to the right artist,” Streisand wrote in her 2023 memoir, “My Name is Barbra.” Perry’s life was a story, in part, of famous friends and the right places. He was backstage for 1950s performances by Little Richard and Chuck Berry, sat in the third row at the 1967 Monterey Pop Festival during Otis Redding’s memorable set and attended a recording session for the Rolling Stones’ classic “Let It Bleed” album. A given week might find him dining one night with Paul and Linda McCartney, and Mick and Bianca Jagger the next. He dated Elizabeth Taylor and Jane Fonda among others and was briefly married to the actor Rebecca Broussard. In Stewart’s autobiography, “Rod,” he would remember Perry’s home in West Hollywood as “the scene of much late-night skulduggery through the 1970s and beyond, and a place you knew you could always fall into at the end of an evening for a full-blown knees-up with drink and music and dancing.” In the ‘70s, Perry helped facilitate a near-Beatles reunion. He had produced a track on Starr’s first solo album, “Sentimental Journey,” and grown closer to him through Nilsson and other mutual friends. “Ringo,” released in 1973, would prove the drummer was a commercial force in his own right — with some well-placed names stopping by. The album, featuring contributions from Nilsson, Billy Preston, Steve Cropper, Martha Reeves and all five members of The Band, reached No. 2 on Billboard and sold more than 1 million copies. Hit singles included the chart toppers “Photograph,” co-written by Starr and George Harrison, and a remake of the 1950s favorite “You’re Sixteen.” But for Perry and others, the most memorable track was a non-hit, custom made. John Lennon’s “I’m the Greatest” was a mock-anthem for the self-effacing drummer that brought three Beatles into the studio just three years after the band’s breakup. Starr was on drums and sang lead, Lennon was on keyboards and backing vocals and longtime Beatles friend Klaus Voormann played bass. They were still working on the song when Harrison’s assistant phoned, asking if the guitarist could join them. Harrison arrived soon after. “As I looked around the room, I realized that I was at the very epicenter of the spiritual and musical quest I had dreamed of for so many years,” Perry wrote in his 2021 memoir, “Cloud Nine.” “By the end of each session, a small group of friends had gathered, standing silently along the back wall, just thrilled to be there.” McCartney was not in town for “I’m the Greatest,” but he did help write and arrange the ballad “Six O’Clock,” featuring the ex-Beatle and Linda McCartney on backing vocals. Perry had helped make pop history the year before as producer of “You’re So Vain,” which he would call the nearest he came to a perfect record. Simon’s scathing ballad about an unnamed lover, with Voormann’s bass runs kicking off the song and Jagger joining on the chorus, hit No. 1 in 1972 and began a long-term debate over Simon’s intended target. Perry’s answer would echo Simon’s own belated response. “I’ll take this opportunity to give my insider’s scoop,” he wrote in his memoir. “The person that the song is based on is really a composite of several men that Carly dated in the ‘60s and early ‘70s, but primarily, it’s about my good friend, Warren Beatty.” Perry’s post-1970s work included such hit singles as The Pointer Sisters’ “Neutron Dance” and DeBarge’s “Rhythm of the Night,” along with albums by Simon, Ray Charles and Art Garfunkel. He had his greatest success with Stewart’s million-selling “The Great American Songbook” albums, a project made possible by the rock star’s writer’s block and troubled private life. In the early 2000s, Stewart’s marriage to Rachel Hunter had ended and Perry was among those consoling him. With Stewart struggling to come up with original songs, he and Perry agreed that an album of standards might work, including “The Very Thought of You,” “Angel Eyes” and “Where or When.” “We were at a back table in our favorite restaurant as we exchanged ideas and wrote them down on a napkin,” Perry wrote in his memoir. Stewart softly sang the options. “As I sat there and listened to him sing, it was clear that we both sensed we were on to something,” Perry added. Perry was a New York City native born into a musical family; his parents, Mark and Sylvia Perry, co-founded Peripole Music, a pioneering manufacturer of instruments for young people. With his family’s help and encouragement, he learned to play drums and oboe and helped form a doo-wop group, the Escorts, that released a handful of singles. A music and theater major at the University of Michigan, he initially dreamed of acting on Broadway. Instead, he made the “life-changing” decision in the mid-1960s to form a production company with a recent acquaintance, Gary Katz, who would go on to work with Steely Dan among others. By the end of the decade, Perry was an industry star, working on Captain Beefheart’s acclaimed cult album, “Safe As Milk” and the debut recording of Tiny Tim and Ella Fitzgerald’s “Ella,” featuring the jazz great’s interpretations of songs by the Beatles, Smokey Robinson and Randy Newman. In the early 1970s, he would oversee Streisand’s million-selling “Stoney End” album, on which the singer turned from the show tunes that made her famous and covered a range of pop and rock music, from the title track, a Laura Nyro composition, to Gordon Lightfoot’s “If You Could Read My Mind.” “I liked Richard from the moment we met. He was tall and lanky, with a mop of dark, curly hair and a big smile, which his big heart,” Streisand wrote in her memoir. “At our first meeting, he arrived laden with songs, and we listened to them together. Whatever hesitation I may have felt about our collaboration soon vanished and I thought, ‘This could be fun, and musically liberating.’” The end of the ‘Rust’ criminal case against Alec Baldwin may unlock a civil lawsuit SANTA FE, N.M. | The conclusion of a criminal case against Alec Baldwin in the fatal shooting of a cinematographer clears the way for a related civil lawsuit by relatives of the deceased woman and efforts to depose the actor under oath, attorneys for plaintiffs in the civil suit said Tuesday. At a news conference in Los Angeles, victims’ rights attorney Gloria Allred said that the parents and younger sister of deceased cinematographer Halyna Hutchins were disappointed that prosecutors won’t appeal the dismissal of an involuntary manslaughter charge against Baldwin. The criminal charge against Baldwin was dismissed halfway through trial in July on allegations that police and prosecutors withheld evidence from the defense. Hutchins died shortly after being wounded during a rehearsal in the movie “Rust” in October 2021 at a film-set ranch on the outskirts of Santa Fe, New Mexico. Baldwin, the lead actor and coproducer, was pointing a pistol at Hutchins when it discharged, killing Hutchins and wounding director Joel Souza. Baldwin has said he pulled back the hammer — but not the trigger — and the revolver fired. Allred said Hutchins’ relatives are determined to pursue damages and compensation from Baldwin and “Rust” producers in New Mexico civil court, and want Baldwin to answer questions under oath in the proceedings. Hutchins’ widower and son previously reached a separate legal settlement. “With the withdrawal that was made public yesterday, we are now able to proceed with our civil case,” Allred said. “Clearly, the rights of Alec Baldwin were protected, but the due process rights of the victims — Halyna Hutchins and her parents and her sister — were violated.” Allred said she’s ready to prove that Hutchins had a close relationship with her parents and sister — a prerequisite for seeking civil damages. In November court filings in the civil lawsuit, Baldwin denied allegations that he was negligent or at fault in the shooting of Hutchins and sought to suspend the case. Attorneys for Baldwin could not immediately be reached Tuesday. Allred read a statement from Hutchins’ sister, Svetlana Zemko, that said, “Mr. Baldwin must be held accountable.” In April, a judge sentenced movie weapons supervisor Hannah Gutierrez-Reed to the maximum of 1 1/2 years at a state penitentiary on an involuntary manslaughter conviction in Hutchins’ death. Allred condemned New Mexico Attorney General Raúl Torrez for declining to appeal the dismissal of the criminal charge against Baldwin, calling him “the Grinch who stole Christmas” at the Christmas Eve news conference. Torrez spokesperson Lauren Rodriguez defended the decision in an email, citing “significant procedural irregularities” identified by the judge in the criminal case. “Attorney General Torrez will not prolong the grief and anguish of Ms. Hutchins’ family in the vain attempt to salvage the compromised criminal case against Mr. Baldwin,” Rodriguez said. “There are other victims’ families in Santa Fe County and across New Mexico who are awaiting justice, and our energy needs to be devoted to supporting those cases on appeal.” —From AP reports

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President-elect Donald Trump wants to turn the lights out on daylight saving time. In a post on his social media site Friday, Trump said his party would try to end the practice when he returns to office. “The Republican Party will use its best efforts to eliminate Daylight Saving Time, which has a small but strong constituency, but shouldn’t! Daylight Saving Time is inconvenient, and very costly to our Nation,” he wrote. Setting clocks forward one hour in the spring and back an hour in the fall is intended to maximize daylight during summer months, but has long been subject to scrutiny. Daylight saving time was first adopted as a wartime measure in 1942. Lawmakers have occasionally proposed getting rid of the time change altogether. The most prominent recent attempt, a now-stalled bipartisan bill named the Sunshine Protection Act , had proposed making daylight saving time permanent. The measure was sponsored by Florida Sen. Marco Rubio , whom Trump has tapped to helm the State Department. “Changing the clock twice a year is outdated and unnecessary,” Republican Sen. Rick Scott of Florida said as the Senate voted in favor of the measure. Health experts have said that lawmakers have it backward and that standard time should be made permanent. Some health groups , including the American Medical Association and American Academy of Sleep Medicine, have said that it’s time to do away with time switches and that sticking with standard time aligns better with the sun — and human biology. Most countries do not observe daylight saving time. For those that do, the date that clocks are changed varies, creating a complicated tapestry of changing time differences. Arizona and Hawaii don’t change their clocks at all. Hawaii doesn’t because it is so far south it has little effect.